5.5.12

TEDxPURAVIDA ED

El próximo 15 de junio será TEDxPuraVida ED. Es la primera vez que se hace en Costa Rica este evento y está dedicado a la INNOVACIÓN EN EDUCACIÓN. 
Mi participación será en relación al tema de la 
imagen de niño, un espacio donde se podrá poner sobre la mesa este tema tan importante que es: la primera infancia. Posteriormente, se podrá tener un diálogo más informado y coordinar acciones que de verdad sean provechosas para estos niños, de acuerdo a los derechos que ellos tienen. 


29.4.12

Bellelli Educación y Red Solare Costa Rica

Hoy hicimos un pre-lanzamiento de la página de la RED SOLARE COSTA RICA. En ella podrán encontrar información sobre qué es la RED, cuáles son los centros municipales de Reggio Emilia, qué es Reggio Children y el Centro Internacional Loris Malaguzzi.




15.4.12

My new book

I am about to start reading this book!!! THE HUNDRED LANGUAGES OF CHILDREN: The Reggio Emilia Experience in Transformation



"This book describes how the world-renowed preschool services and accompanying practical strategies for children under six in Reggio Emilia have evolved in response to the community's demographic and political transformations, and to generational changes in both the educators and the parents of the children. The authors provide the reader with a comprehensive introduction to the Reggio Emilia experience, and address three of the most important central themes of the work in Reggio in detail: teaching and learning through relationships; the hundred languages of children, and how this concept has evolved; and integrating documentation into the process of observing, reflecting and communicating."

24.3.12

Documentation: Transforming our Perspective


Documentation: Transforming Our Perspective from Melissa Rivard on Vimeo.

Teachers are considered researchers, and documentation is considered a research tool. 

"Those who lead, inspire us..." Simon Sinek



Este video me lo recomendó una persona que conocí a través de la página de FB de Bellelli y que de casualidad hoy hablando de otra cosa me dijo que debería leer el libro de este señor. Esta sugerencia me sirvió muchísimo para acomodar mis ideas en cuanto a mis últimas decisiones laborales y como dice Dr. Seuss: “Don't cry because it's over, smile because it happened.” 


¡Qué importante es tener claro el POR QUÉ


por qué nos levantamos para ir a trabajar
por qué hacemos lo que hacemos
por qué los niños necesitan de nosotros
por qué es importante nuestro trabajo para la sociedad


 y qué importante es compartirlo con el equipo de trabajo, qué importante es tener personas que inspiren y que nos motiven a dar lo mejor de nosotros, porque nos "venden" su sueño, en lo que creen, y les "compramos" ese sueño!


Yo me siento feliz de tener Bellelli, porque quiero inspirar a otros a soñar conmigo en brindar educación de calidad a los niños menores de 6 años, un aprendizaje de vida para ellos, que son ciudadanos del mundo y locales, desde el momento en que nacen.

3.3.12

Frases inspiradoras y para reflexionar



"What determines the quality of a project is its capacity to transmit and support a certain image of the child, a child who has a hundred languages and the right to an environment that is rich, multifaceted, complex, well tended, beautiful." Vea Vecchi


"We learn best and we work best if we enjoy what we are doing." Papert


"Children teach us to wonder, to be surprised, to accept possibility; to continue to believe that we can be better, that democracy is possible, that peace is possible." Carla 
Rinaldi


"Education is not preparation for life; education is life itself." ~John Dewey




"Things about children and for children are only learned from children." (L. Malaguzzi)


“Las ganas de jugar de la niñez es el profesor más exigente que tenemos”. Marvin Minsky


"A child loves his play, not because it’s easy, but because it’s hard." Benjamin Spock


"When children learn, they do it by interweaving and making connections between the different languages, and this is exactly what school in the traditional sense does not do, because it tends to separate the languages, which are defined as different subjects, disciplines, fields of 
knowledge. etc." Simona Bonilauri


Seymour Papert dijo en 1999:

"Un día alguien inventa la escritura, e inventan el lápiz. Alguien dice, "maravilloso, esto será grande para la educación, podría revolucionar el aprendizaje. Así pues, pongamos un lápiz en cada aula de clase en el país y veamos lo que hace." No haría nada, ¿o si?

Porque la esencia del lápiz no es esa-- no es algo que sucede teniendo acceso a él durante algunas horas a la semana o aún algunas horas en el día. La esencia del lápiz es que usted lo tiene todo el tiempo. Puedo sacarlo de mi bolsillo en un instante, sin gran esfuerzo. No tengo que ir a un lugar especial. Si tengo que escribir algo, si tengo que calcular algo, si tengo que dibujar para explicar algo, lo tengo todo el tiempo. Es un instrumento PERSONAL, y esto es lo que va a suceder con la tecnología digital (la laptop personal). Va a ser el lápiz del futuro. Y quiero decir el lápiz en el sentido que tiene que estar con nosotros todo el tiempo para ser utilizado cuando lo necesitamos, cuando lo deseamos, para una gran variedad de propósitos. Y cuando hagamos eso, encontraremos que la gente los utilizará de maneras muy, muy diversas--si los dejamos."



"Necesitamos docentes intelectualmente curiosos, rebeldes a un acercamiento consumista del saber, personas que prefieran construir el saber junto con otros en vez de consumirlo." Carla Rinaldi

12.1.12

Mindstorms-Children, Computers and POWERFUL IDEAS





"I believe that certain uses of very powerful computational technology and computational ideas can provide children with new possibilities for learning, thinking and growing emotionally as well as cognitively."
....
"Thinking about thinking turns the child into an epistemologist, an experience not even shared by most adults."

3.1.12

What makes Mathematics hard to learn? Marvin Minsky

Reflections from the wiki:



"Why do some children find Math hard to learn? I suspect that this is often caused by starting with the practice and drill of a bunch of skills called Arithmetic—and instead of promoting inventiveness, we focus on preventing mistakes. I suspect that this negative emphasis leads many children not only to dislike Arithmetic, but also later to become averse to everything else that smells of technology. It might even lead to a long-term distaste for the use of symbolic representations."
...
Why should children learn only “fixed-point” arithmetic, when “floating point” thinking is usually better for problems of everyday life! More generally, we need to find out more about how each child regards each subject. How might it answer questions like “What am I doing here, and why? ”What can I expect to happen next?” “Where and when am I likely to use this?





Until the 20th century, mathematics was mainly composed of Arithmetic, Geometry, Algebra, and Calculus; then Logic and Topology started to rapidly grow. Then the 1950s saw a great explosion of new ideas about the nature of computation—ideas that are now so indispensable that our primary school curriculum is out of date by a century.
Today, our new computational concepts have become so useful and powerful that we should start teaching them in earlier years. We usually think of Arithmetic as a subject in itself. But we can also think of it, instead, as just a certain bunch of algorithms—which suggests that we could begin with simpler and more interesting ones!
...
How can we encourage children to invent and carry out more elaborate processes in their heads? Teachers often insist that pupils “show their work”—which means to make them “write down every step.” This is convenient for making grades, as well as for diagnosing mistakes, but I suspect that this focus on ‘writing things down’ could lead to mental slowness and awkwardness, by discouraging pupils from trying to learn to perform those processes inside their heads—so that they can use mathematical thinking in ‘real time’. It isn’t merely a matter of speed, but of being able to keep in mind an adequate set of alternative goals and being able to quickly switch among different strategies and representations.




In the case of school-mathematics, the vocabulary is remarkably small. The children do learn the names of various objects and processes—such as addition, multiplication, fraction, quotient, divisor, rectangle, parallelogram, and cylinder, equation, variable, function, and graph. However, they learn only a few such terms per year—which means that, in mathematics, our children are mentally starved, by having to live in a “linguistic desert.” It really is hard to think about something until one learns enough terms to express the ideas in that subject. Specifically, it isn’t enough just to learn nouns; one also needs adequate adjectives! What's the word for when you should use addition? It’s when a phenomenon is linear. What's the word for when you should use multiplication? That’s when something is quadratic or bilinear. How does one describe processes that change suddenly or gradually: one needs terms like discrete and continuous. To talk about similarities, one needs terms like isomorphic and homotopic. Our children all need better ways to talk about, not only Arithmetic and Geometry, but also vocabularies for the ideas one needs to think about statistics, logic, and topology.

24.10.11

THE DAILY BELLELLI-"En Diálogo con Reggio Emilia: escuchar, investigar, aprender" por Carla Rinaldi

"Hoy vivimos una fase histórica donde la dimensión ética y política de la educación y sus argumentos, son problemáticos y muy descuidados. La idea de educar a todos los niños, incluidos los más pequeños, como experiencia compartida al interior de una sociedad democrática, y la idea de una escuela como parte integrante de esta sociedad democrática, y la idea de una escuela como parte integrante de esta sociedad-cuyos ciudadanos asumen la responsabilidad con todos sus niños-viene siendo sustituida por otra idea. La educación es considerada cada vez más un bien individual, y la metáfora de la escuela se viene transformando de foro y espacio público a empresa: una empresa que busca ser competitiva en el mercado para vender sus productos, en vez de educación y cuidado. Los padres se vuelven consumidores independientes y calculadores, y apoyan sus cálculos en conceptos de liderazgo gerencial como calidad, excelencia y resultados. La escuela es convertida en una tecnología de normalización.


En Reggio Emilia, la escuela es un espacio público y un lugar de práctica ética y política: un lugar de encuentro y conexión, de interacción y diálogo entre ciudadanos jóvenes y adultos, que conviven en el seno de una comunidad."

Introducción por Gunilla Dahlberg y Peter Moss.

"En Diálogo con Reggio Emilia" de Carla Rinaldi

20.10.11

THE DAILY BELLELLI-"En Diálogo con Reggio Emilia: escuchar, investigar, aprender" por Carla Rinaldi




"El diálogo tiene una importancia absoluta. Una idea de diálogo, no como intercambio, sino como un proceso de transformación en el que desaparece del todo la posibilidad de controlar el resultado final. Y se va al infinito, se extiende por el universo, y puede perderse. Para el hombre de hoy, y eso es particularmente cierto para las mujeres, perderse es una oportunidad, aunque también un riesgo, ¿lo sabes?" Carla Rinaldi

15.9.11

Celebrando La Independencia de Costa Rica


Foto del campamento donde algunos niños inventaron pintar banderas para celebrar el mundial.

"Cada cultura hace una idea de niño o de niñez, a veces ni siquiera somos conscientes de ellos; llevamos una imagen que hemos construido dentro de nuestra experiencia personal, pero se trata en la mayoría de los casos, de una imagen que construimos como patrimonio social y cultural, como una elección personal tomada de la imagen construida socialmente a la cual es simple sumarse."

¿Cuál es su imagen de niño y niña costarricense?

15.8.11

The Space of Childhood by Carla Rinaldi

Designing the space of an infant-toddler center or preschool-or perhaps we could just say designing a school-is a highly creative event not only in terms of pedagogy and architecture but more generally in social, cultural and political terms.


The scholastic institution, in fact, can play a very special role in cultural development and real socio-political experimentation, to the extent that this moment (designing) and this place (the school) can be experienced not as a time and space for reproducing and transmitting established knowledge but as a place of true creativity.




Ours is a time of transition, and our generation is transient. Our task is to live a "season of design" in which it is impossible to use the old pedagogical, architectural, ethical, social and educational parameters and values, and in which it thus becomes essential to venture into the new and lay plans for real futures.


Though it is certainly a time of potential disorientation and confusion, of widespread uncertainties and contradictions, it is also an exciting time, rich in possibilities.


Architect T. Zinni



8.8.11

Bellelli Educacion is 1 year old!

BELLELLI EDUCACION IS 1 YEAR OLD and we have 656 LIKES ON FACEBOOK! 

12.7.11

THE DAILY BELLELLI-"Niños, objetos, monstruos y maestros" por Andrea Contino (Día 2)

Desde que inicié  mis estudios de pedagogía en la universidad, me preguntaba mucho por qué en las escuelas y colegios los niños tenían que aprender lo que decía el libro. Yo me cuestionaba: ¿en qué momento aprenden de la vida?
En preescolar lamentablemente eso se está copiando, y los niños en esas edades también deben aprender lo que dice el libro. Hoy les quiero compartir unas palabras que me encontré en este libro donde reafirmo que son muchos los que piensan como yo:


Diálogos con Montserrat Cortadellas:


"Con lo que soy más crítica es con los libros de texto. ¡Deberían desaparecer ya de las escuelas! marcan unas pautas y proponen unos contenidos muy alejados de lo que son las necesidades de conocimiento de los niños. El libro de texto es superficial y que creo que ni siquiera aporta conocimiento. Da al maestro una seguridad. Está pensado para que, si haces lo que dice el libro, puedas cumplir con lo que se denomina "lo curricular". Pero, ¿realmente con este modo de enseñar se adquieren los objetivos importantes de la educación?


Creo que no pasa nada si hay temas del currículo que no se trabajan, porque lo importante no son los contenidos sino aprender a aprender. Es dar a los niños herramientas y estrategias. 






La idea del conocimiento más global que yo puedo tener como artista, que es muy natural en mí, les resulta más difícil a aquellas personas que trabajan en la educación. Yo hablo de a-disciplinariedad. Como artista, como persona, no veo el mundo estructurado en disciplinas. Cuando vives no estás pensando si ahora estás haciendo matemáticas, sociales o naturales. La escuela está muy estructurada en disciplinas.


Ver el mundo de manera global es mucho más rico. Da la posibilidad de ser más creativo y de tomar decisiones diferentes, ya que no están estructurados dentro de unos parámetros.

11.7.11

THE DAILY BELLELLI-"Niños, objetos, monstruos y maestros" de Andrea Contino


NUESTRO NOMBRE
¿Qué nos hace ser como somos? 
(Conversaciones con niños de primaria)


"La primera identidad de todos es el nombre. Acto seguido la cara, porque todos la tenemos diferente. Yo soy así porque mis padres me han educado de esta manera. He ido a clase y me han enseñado a ser así. No sólo nos educa la familia; si veo que el de mi lado escribe bien, puedo aprender. Los amigos también. Cada instante de nuestra vida nos hace ser nosotros mismos. SI no tuviéramos las aficiones que ahora tenemos seríamos otras personas, porque no jugaríamos a los mismos juegos; no iríamos a los mismos sitios, no tendríamos tantos amigos... o tendríamos más... o los tendríamos diferentes. Si viviéramos de otra forma nos preocuparían otras cosas. Seguro que las preocupaciones hacen que nuestro carácter sea diferente. También es importante la época en la que vivimos, porque no haríamos lo que hacemos ahora. Lo que dicen los otros explica cómo soy yo..."

26.6.11

Interview with Morgan Leichter-Saxby from the Pop-Up Adventure Play


1. What is a Pop-Up Adventure Playground?
    A Pop-Up Adventure Playground is a space created for and by children to play in as they please with a variety of recycled, found or donated materials.  They are public and free for everyone, and staffed by supportive adults known as Playworkers.  They draw heavily upon the work of the UK Playwork and Adventure Playground movement and offer chances for whole communities to come together in support of children's play.


2. What's the story behind these playgrounds?
     When Sharon and I met a year ago, I'd been working on fixed Adventure Playground sites and Play Ranger projects in the UK for some years, and Sharon was with the New York Coalition for Play.  We were interested in finding ways to bring some of the UK-based ideas and practice over here, and doing it in grassroots, community-based and sustainable ways.  Since then we've attracted some really gifted colleagues and created a number of Pop-Up Adventure Playgrounds in New York and Boston.  We have an on-going Pop-Up on Governor's Island all summer long, and we're working on our resources and networking opportunities for independent organizers across the world.






3. What are you trying to promote and share by doing these events?
     We're trying to join up three different aspects - play, community and environmental sustainability.  We believe that children need opportunities to play in their own way, for their own reasons, every single day - and that ordinary people, ordinary neighborhoods, can come together to create those opportunities (with a little help getting started).  We all have the power to help make our neighborhoods into better places for living, and we already have all the 'stuff' we need to do that.


4. Do you think that people play less and less every day?
     I don't know...  I think that many people are separated from their inbuilt human need to play.  It's easy to just fall over in front of the tv - I do it myself!  But that's not play, and it doesn't nourish you in the way that real play does.  Play can be defined as something that you do for the sheer joy and satisfaction of doing it, and we all need that in our lives.  I believe that a lot of the current interest in crafts, home decorating, cooking, and so on are all expressions of adults' search for their own ways to play.
     Children's opportunities for play are under serious threat.  Longer school hours and greater pressures there mean that many children spent their out-of-school time in tutoring or extracurricular activities which they don't have control over - and it's that freedom of choice and direction that makes play so empowering for them.  They often can't play outside the way that they used to, because of traffic and parental fears of strangers.  It's vital that we see children's need for play as important, and that we work now to improve their opportunities for play every day.



5. What is the "type" of play that you enjoy the most?
     In my own life, I like to write, make collages, and dance.  I haven't been making enough time for those lately, because I spend a lot of time working to help others play more!  It's an irony that I'm trying to address.
     In terms of children's play, what I love best is how it's always surprising.  You could bring the same materials to the same site every day for a year, and it would be different every time.  Children are the experts at play, and I'm reminded of this every time I do playwork.



6. How did you hear from our experience? (or was it me who contact you? haha I don't remember)
     I think we found you through Google!  You linked back to our site when you did your first event, and we're interested in seeing how and where these ideas spread.  It was very exciting to hear about what you were doing! You're awesome!

7. What advice can you give us for our next pop-up adventure playground?
     I think you're doing great!  It looked so beautiful from the pictures - selfishly, I'd love the chance to visit.  The best way to learn more about creating Pop-Up Adventure Playgrounds is to keep doing them, and talk about how it went with the other people who were there.  Write down reflections about it as soon as you can after it's over, and refer to those as you keep going so you can see your development, and that of the site.

25.6.11

II POP-UP ADVENTURE PLAYGROUND @COSTA RICA

Here are the photos from our 2nd POP-UP ADVENTURE PLAYGROUND IN COSTA RICA.



















"Cuando pinto suena como cortando una madera"




















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